September 12th, 2016
Alex Webb’s La Calle Gives Voice to Mexico’s Streets
When photographer Alex Webb first visited Mexico in 1975, he was immediately captivated by the intense light, color, and energy of its streets. Over the next few decades, he would return numerous times, drawn to the U.S.-Mexico border, and then into southern Mexico in the 1980s and ’90s. Casting his preconceptions aside, he allowed his camera to lead him.
“I work extremely intuitively,” Webb said in a recent interview at the Aperture Gallery, where his exhibition La Calle is currently on view. “I wander, I respond. I don’t work rationally at all. Am I aware of certain elements rationally at times? Sure. But I think that often when I am more aware of them, it usually means that the picture falls flat.”
The resulting images are multilayered and evocative. In each of his street photographs, Webb distills gesture, light, and cultural tensions into single, mesmerizing frames that convey mystery, irony, and humor. Now, La Calle, a photobook and corresponding exhibition, bring together over thirty years of Webb’s images. The work commemorates the Mexican street as a sociopolitical bellwether—albeit one that has undergone significant transformation since Webb’s first trips to the country.
Throughout the photobook, commissioned texts by noted Mexican and Mexican-American authors Guillermo Arriaga, Álvaro Enrigue, Valeria Luiselli, Guadalupe Nettel, and Mónica de la Torre lend further insight into the roles the streets have played for generations, reflecting Mexico’s past, projecting into its future, and providing a stage for the theatre of everyday life.
“I think that their words, on some level, give voice to the streets of Mexico, specifically Mexican voices, which is distinctly different, and hence complimentary to what my photographs do,” Webb said. “I love the fact that Valeria Luiselli’s piece refers to the hideousness of a street, but how she loves the street because it’s hideous. I thought that was kind of wonderful.”