What is the role of the photographer in our new political order? Seven visionaries respond.
An early platform for lesbian photography, On Our Backs was instrumental in shaping a culture of desire.
Constructing sets that look functional but are intentionally useless, an artist parodies the seamless illusion of images.
How has feminist photography changed since the 1970s?
Jo Spence rejected categorizing labels of her work and practice and preferred to wander.
In his staged, gel-lit nudes, Jimmy DeSana explored the body as object.
In a region where women are regarded as an economic burden, Gauri Gill photographs girls in acts of quiet daring.
A collective of artists reimagines contemporary Greece.