In Istanbul’s photography scene, the anxious aftermath of a violent year.
In photographs from Selma to Flint, the unfinished work of the civil rights movement.
What is the role of the photographer in our new political order? Seven visionaries respond.
An early platform for lesbian photography, On Our Backs was instrumental in shaping a culture of desire.
Constructing sets that look functional but are intentionally useless, an artist parodies the seamless illusion of images.
How has feminist photography changed since the 1970s?
Jo Spence rejected categorizing labels of her work and practice and preferred to wander.
In his staged, gel-lit nudes, Jimmy DeSana explored the body as object.