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Dispatches: Istanbul

Charlie Kirk, Okmeydani,
Istanbul, Berkin Elvan
protest, 2013 Courtesy the artist
Charlie Kirk, Okmeydani,
Istanbul, Berkin Elvan
protest, 2013 Courtesy the artist

In Istanbul’s photography scene, the anxious aftermath of a violent year.

aperture magazine

Witness: LaToya Ruby Frazier in Conversation with Kellie Jones

02_226MAG507_Frazier-WEB
02_226MAG507_Frazier-WEB

In photographs from Selma to Flint, the unfinished work of the civil rights movement.

aperture magazine

America’s Destiny in Pictures

USA. Brownsville. Texas. 2016.  Max Pons, a biologist and manager of the Nature Conservancy in Brownsville, home to one of two Sabel Palm groves in the United States.  The land is bisected by a border fence, which has small holes cut in it, ostensibly to continue to allow normal migratory patterns of animals who traditionally crossed the land now blocked by the fence.
USA. Brownsville. Texas. 2016.  Max Pons, a biologist and manager of the Nature Conservancy in Brownsville, home to one of two Sabel Palm groves in the United States.  The land is bisected by a border fence, which has small holes cut in it, ostensibly to continue to allow normal migratory patterns of animals who traditionally crossed the land now blocked by the fence.

What is the role of the photographer in our new political order? Seven visionaries respond.

aperture magazine

Sex Wars Revisited

Del LaGrace Volcano, On the Way There, London, 1988  © the artist
Del LaGrace Volcano, On the Way There, London, 1988  © the artist

An early platform for lesbian photography, On Our Backs was instrumental in shaping a culture of desire.

aperture magazine

Robert Cumming Invents the Photograph

211MAG049.4188
211MAG049.4188

Constructing sets that look functional but are intentionally useless, an artist parodies the seamless illusion of images.

aperture magazine

After the Avant-Garde

Nan-Goldin,-Self-Portrait-in-Kimono-with-Brian,-NYC,-1983
Nan-Goldin,-Self-Portrait-in-Kimono-with-Brian,-NYC,-1983

How has feminist photography changed since the 1970s?

aperture magazine

Work, Politics, Survival

4_HEATH_Spence-Cropped
4_HEATH_Spence-Cropped

Jo Spence rejected categorizing labels of her work and practice and preferred to wander.

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Command the Gaze

Amal Said, Purple, London, England, from the exhibition #girlgaze, 2016Courtesy the artist and the Annenberg Space for Photography, Los Angeles
Amal Said, Purple, London, England, from the exhibition #girlgaze, 2016Courtesy the artist and the Annenberg Space for Photography, Los Angeles

A girl-powered social media movement becomes an interactive exhibition.

aperture magazine

Surreal Sexuality

Jimmy DeSana, Marker Cones (Blonde, Legs Close Together), 1987  Courtesy the Estate of Jimmy DeSana and Salon 94, New York
Jimmy DeSana, Marker Cones (Blonde, Legs Close Together), 1987  Courtesy the Estate of Jimmy DeSana and Salon 94, New York

In his staged, gel-lit nudes, Jimmy DeSana explored the body as object.