Vince Aletti recalls Tomorrow’s Man, Peter Hujar, James Dean, and the thrill of discovering queer pictures.
In 1958, Inge Morath set out to document the cultures of Central and Eastern Europe. Spanning four decades, her monumental project was the quest of a lifetime.
In exploring the lives of others, what are the virtues of an outsider’s position?
In conjunction with the recent “Odyssey” issue of Aperture magazine, Fred Ritchin examines photography of the refugee crisis.
The Met has mounted its first-ever exhibition of West African photographs. But is the museum late to the party?
Stanley Wolukau-Wanambwa considers photobooks and representations of Africa.
Krakow Photomonth has grown from a rather rambunctious upstart into one of the most ambitious photography festivals. This year’s edition revolved elegantly around conflict.
Letters from Sally Mann to Melissa Harris, editor-in-chief of Aperture Foundation, about her portraits and her process, originally published as an interview in Aperture #138.
In an excerpt from Mary Ellen Mark on the Portrait and the Moment, the photographer reflects on her favorite portraits and how her now-recognizable images came to be.