How feminism has shaped photography? An introduction to the winter 2016 issue of Aperture
Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.
Amid the fight for desegregation, a revelatory portrait by Robert Frank conveys the freedom of travel.
Elizabeth Huber reflects on Ken Gonzales-Day and the history of lynching in California.
Echoing the languid melodies of the South, Shane Lavalette finds fragments of oral tradition in the visual world.
After years in a Boston attic, Mark Morrisroe’s dreamy, unpolished early work is on display in a rare exhibition in New York.
We’re pleased to announce the winners of the 2016 edition of the Paris Photo–Aperture Foundation PhotoBook Awards.
Maia Silber reflects on photographer Gordon Parks, the infamous “doll tests” of the 1940s, and segregation.
Merging football with twentieth-century sharecropping, Hank Willis Thomas traces the commodification of black bodies.
Aperture supporters gather to celebrate Bruce Davidson.
How do Bruce Davidson’s photographs of the Selma march in 1965 find their echo in the modern debate over voter ID laws?
Merging images and words, conceptual artists in the 1970s advanced a new visual language.