the aperture blog: web-only reviews, interviews, essays, and foundation news
Carrie Mae Weems’s feminist vision has never been more timely.
Aperture remembers the life of the Southern photographer, whose work evokes the power of passing time.
On the dance floor, Elle Pérez captures LGBT youth who refuse to be forgotten.
Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.
The new issue of the Aperture Photography App is now available to download on your iOS device.
Mira Jacob reviews Max Pinckers’s self-published photobook, “Will They Sing Like Raindrops or Leave Me Thirsty”
Tate Britain’s first-ever exhibition to focus on a living photographer features the work of Nick Waplington
Mary Ellen Mark’s life and work remembered by Melissa Harris and those who worked closely with her.
Joel Smith on curating Hidden Likeness, a show of Emmet Gowin’s photographs paired with selections made from the Morgan Library and Museum’s vast holdings.
An excerpt from a conversation focusing on Kawada’s early career and the making of The Map.
Jason Fulford and Aperture editor Denise Wolff discussed the parallel lives of a book through its events, and the event as intersection of artist and viewer.
Aperture magazine’s editors on our Summer 2015 issue and the vast photography landscape in Tokyo.
To what degree is photography dependent on chance? Robin Kelsey tackles this question in his new book, Photography and the Art of Chance.
Aperture exhibitions are currently on three continents, from Asia to Europe to North America. How does it come together?
James Mollison and writer Jon Ronson recall their playground memories preceding the opening reception of the “Playground” exhibition at Aperture Gallery in New York.
For Aperture’s Summer 2015 issue, the editors asked Frazier to discuss readings and works of art that have informed her thinking.
All work is copyright of respective owner, otherwise © 2016 Aperture Foundation.