The curator of the London gallery Autograph ABP discusses the intersections between photography, human rights, and identity politics.
Catherine Gund, Shola Lynch, and Franklin Leonard discuss pioneers of cinema, African American archives, and the definitive films about black experience.
Sixteen boundary-pushing photographers included in the 2016 Aperture Summer Open curated by Charlotte Cotton weigh in on their practice.
In a retrospective at LE BAL in Paris, Gerard Petrus Fieret’s subversive images reveal the libertine atmosphere of 1960s Europe.
Laura Israel, director of Don’t Blink–Robert Frank, speaks about the photographer’s life and work.
Photographer Macro Breuer reflects on the lasting images in Evidence for The PhotoBook Review 010
On the streets of New York, murals strike back against police brutality.
Was Richard Avedon and James Baldwin’s collaborative photobook a luxury object or a ruthless indictment of American culture?
From dream states to Russian decadence, here are this summer’s must-see photography exhibitions in New York.
In America’s sprawling correctional system, how do prisoners and their families represent themselves though photography?
Friends of Aperture gathered for the third annual Spring Patron Cocktail Party, which included a presentation by celebrated photographer Gregory Crewdson.
Vince Aletti recalls Tomorrow’s Man, Peter Hujar, James Dean, and the thrill of discovering queer pictures.
In a pioneering new book, Zackary Drucker and Rhys Ernst document their gender transitions and their lives together.