Joseph Gergel reports on the tenth edition of Rencontres de Bamako, West Africa’s venerable photography festival.
A new exhibition at Salon 94 in New York brings to light Gordon Parks’s long-lost photographs from a breakthrough 1956 Life photoessay.
William J. Simmons on Despite Intensions at Galeria Pedro Alfacinha, Lisbon, and its connections to the New Museum’s recent Sarah Charlesworth survey.
With a Tom Sandberg survey exhibition this summer as well as the 2015 edition of the Fotobokfestival this fall, the Norwegian capital’s photography scene is flourishing.
A review of PCR, Wolfgang Tillmans’ first exhibition with David Zwirner Gallery, by Gabriel H. Sanchez.
Trevor Paglen’s new exhibition at Metro Pictures focuses on the unseen images of the Internet.
Diana C. Stoll reviews Ken Abbott’s new exhibition at the Asheville Art Museum, North Carolina, which focuses on the day-to-day of a prominent local farm.
On Josef Astor’s recent exhibition at Participant Inc., New York, which connects photography, installation, and dance.
A review of Gillian Laub’s work, Southern Rites, which documents the residents of a Southern U.S. town that held racially segregated proms.