Andrew Stefan Weiner on Marcel Broodthaers Musée d ’Art Moderne, Département des Aigles, Section Publicité
The Belgian artist Marcel Broodthaers has long suffered from a bifurcated reception: while his work has been shunned by many, due in part to his reputation as a hermitic figure or a stylistic outlier, it has been championed by others, who see it as a pivotal threshold in the development of critical post-conceptual art. Mindful of this divide, a major international 2016 retrospective currently on view at New York’s Museum of Modern Art has sought to complicate viewers’ sense of Broodthaers’s oeuvre. The present moment seems like an apt time to reevaluate the 1995 publication Musée d’Art Moderne, Département des…
Kristen Lubben reflects on a collection of glamour shots, stills from movie sets, photobooth portraits, family snapshots, and typewritten captions which make up a fictional archive.
Photographer Macro Breuer reflects on the lasting images in Evidence for The PhotoBook Review 010
The PhotoBook Review is a publication dedicated to the consideration of the photobook—focusing on the best photography books being published, from the coffee-table book to the handmade artist’s edition, and on creating a better understanding of the ecosystem of the photobook as a whole.