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Review: On Max Pinckers’s Will They Sing Like Raindrops or Leave Me Thirsty

Mira Jacob reviews Max Pinckers’s self-published photobook, “Will They Sing Like Raindrops or Leave Me Thirsty”

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If You Came Here to Have Fun, You Will

Jason Fulford and Aperture editor Denise Wolff discussed the parallel lives of a book through its events, and the event as intersection of artist and viewer.

CollectingJapanesePhotobook

Collecting the Japanese Photobook

Ivan Vartanian spoke to Ryuichi Kaneko about how he became one of the first and most enduring champions of the Japanese photobook.

Editor’s Note: Ivan Vartanian

In 1995, I began an editorial internship at Aperture. (Just one week before, Lesley Martin had started one, too). While I was there, Daido Moriyama sent in a copy of his publication Hysteric Daido. It was the most bizarre specimen of a photobook I had ever seen: large and softcover, with magazine-like paper, black ink everywhere, and a putrid purple bar on the cover. The images were presented in a scattershot fashion, running into the gutter carelessly without white margins, captions, or any other type of structure. It did not in any way, shape, or form resemble the organized bookmaking…

Publisher’s Note: Lesley A. Martin

The PhotoBook Review 008 coincides with the Summer 2015 issue of Aperture magazine, “Tokyo” (#219), as well as with Shashin, a symposium and festival for Japanese photography that takes place on April 24 and 25 at the New York Public Library. All three have been shaped, in part, through consultation with Our Man in Tokyo and this issue’s guest editor, Ivan Vartanian of Goliga. Several threads in these pages wend their way back to an event that took place at Aperture Gallery in November 2011, Printing Show—TKY, by the Japanese master bookmaker and photographer Daido Moriyama. This event, organized by…

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The PhotoBook Review is a publication dedicated to the consideration of the photobook—focusing on the best photography books being published, from the coffee-table book to the handmade artist’s edition, and on creating a better understanding of the ecosystem of the photobook as a whole.

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