The Notion of Family

Photographs by LaToya Ruby Frazier
Interview by Dawoud Bey Essays by Laura Wexler and Dennis C. Dickerson

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9 1/2 x 10 3/4 in. 156 pages, 100 duotone images and 32 four-color video stills Paperback with flaps 978-1-59711-381-6 October 2016

Now available in a paperback edition, LaToya Ruby Frazier’s award-winning first book, The Notion of Family, offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political— an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations—her Grandma Ruby, her mother, and herself— against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock’s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives— both those of her family and of the community at large.


LaToya Ruby Frazier (born in Braddock, Pennsylvania, 1982) received her BFA from Edinboro University, Pennsylvania, in 2004, and her MFA from the College of Visual and Performing Arts at Syracuse University, New York, in 2007. She has received numerous grants and awards, including a 2014 Guggenheim Fellowship, 2014 USA Weitz Fellowship, and 2015 MacArthur Fellowship. Frazier teaches in the Department of Photography at the School of the Art Institute of Chicago, and is a visiting critic at Yale University. Her work has been included in exhibitions at major institutions worldwide.


Dawoud Bey (interview) is well-known for his work as a photographer, and has been featured in numerous exhibitions, including a mid-career survey at the Walker Art Center, Minneapolis, in 1995. He is a professor of art and a Distinguished College Artist at Columbia College Chicago. 


Laura Wexler (essay) is a professor of American studies and women’s, gender, and sexuality studies at Yale University, as well as the founder and director of the Photographic Memory Workshop at Yale. Her books include the award-winning Tender Violence: Domestic Visions in an Age of U.S. Imperialism (2000).


Dennis C. Dickerson (essay) is the James M. Lawson, Jr. Professor of History at Vanderbilt University. He is the author of several titles focusing on American labor history and the civil rights movement, including Out of the Crucible: Black Steel Workers in Western Pennsylvania, 1875–1980 (1986).

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