After Identity, What?, 2011

by Hank Willis Thomas

Description
After Identity, What? is part of the artist Hank Willis Thomas's 1969 series. P.S.1 invited Thomas and other artists to respond to the year 1969, a period marked with revolution and sociopolitical tumult. The artists made work utilizing images from magazines of the period and juxtaposed them with text derived from the same publications. The resulting pieces demonstrate the concerns and social values of the era and reflect a historical perspective only the passage of time can provide.
Details

Digital C-Print
Image Size: 16 x 10 inches
Paper Size: 16 x 10 inches
Edition of 15 + 3 Artist Proofs
Signed and numbered by the artist

About the Artist

Hank Willis Thomas (b. 1976, Plainfield, New Jersey) received his BFA from New York University’s Tisch School of the Arts, and his MFA in photography, along with an MA in visual criticism, from the California College of the Arts, San Francisco. His work has been exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands.

Solo exhibitions of his work have been featured at Portland Art Museum, Portland, OR; Crystal Bridges Museum of Art, Bentonville, AK; SCAD Museum of Art, Savannah, GA; California African American Museum, Los Angeles, CA; Philadelphia Photo Arts Center, Philadelphia, PA; Cleveland Museum of Art, Cleveland, OH; The Art Museum at the University of Kentucky, Lexington, KY; The Aldrich Contemporary Art Museum, Ridgefield, CT; Corcoran Gallery of Art, Washington, D.C.; Brooklyn Museum, Brooklyn, NY; Baltimore Museum of Art, Baltimore, MD; Nerman Museum of Contemporary Art, Kansas City, MO, and the African American Museum, Philadelphia, PA, among others.

Major group exhibitions of his work include the 2017 inaugural show at Zeitz Museum of Contemporary Art Africa, Cape Town, South Africa; P.S. 1 Contemporary Art Center, New York, NY; The Studio Museum in Harlem, New York, NY; Zacheta National Museum of Art, Poland; Yerba Buena Center for the Arts, San Francisco, CA, and the 2006 California Biennial at the Orange County Museum of Art, Orange County, CA.

Thomas’ work is included in numerous public collections including the Museum of Modern Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; Whitney Museum of American Art, New York, NY; Brooklyn Museum, New York, NY; High Museum of Art, Atlanta, GA, and the National Gallery of Art, Washington, D.C.

His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), The Writing on the Wall, and For Freedoms. In 2017, For Freedoms was awarded the ICP Infinity Award for New Media and Online Platform. Thomas is a recipient of the Gordon Parks Foundation Fellowship (2019), The Guggenheim Fellowship (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), Aperture West Book Prize (2008), Renew Media Arts Fellowship from the Rockefeller Foundation (2007), and the New York Foundation for the Arts Fellowship Award (2006). He is also a member of the Public Design Commission for the City of New York.

He received honorary doctorates from the Maryland Institute of Art, Baltimore, MD and the Institute for Doctoral Studies in the Visual Arts, Portland, ME in 2017.

In 2019, Thomas unveiled his permanent work “Unity” in Brooklyn, NY. In 2017, “Love Over Rules” permanent neon was unveiled in San Francisco, CA and “All Power to All People” in Opa Locka, FL. His first monograph, Pitch Blackness, was published by Aperture in 2008. A survey of his work, Hank Willis Thomas: All Things Being Equal was copublished by Aperture and the Portland Art Museum in 2018. He is represented by Jack Shainman Gallery in New York and Goodman Gallery in South Africa.

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