80 and 82 Beekman Street, 1967

Aperture is pleased to offer a very special limited-edition print with Danny Lyon on the occasion of the publication of the facsimile of The Destruction of Lower Manhattan, in partnership with Fundación ICO.  In addition to supporting the artist, proceeds from the sale of this special print help to make this publication possible. First published in 1969, The Destruction of Lower Manhattan is a singular, lasting document of nearly sixty acres of downtown New York architecture before its destruction in a wave of urban development. After creating the series The Bikeriders and moving back to New York in 1966, Lyon settled into a downtown loft, becoming one of the few artists to document the dramatic changes taking place. Lyon writes, “Whole blocks would disappear. An entire neighborhood. Its last few loft-occupying tenants were being evicted, and no place like it would ever be built again.” Through his striking photographs and accompanying texts, Lyon paints a portrait of the people who lived there, of rooms with abandoned furniture, children’s paintings, empty stairwells. Intermingled within the architecture are portraits of individuals and the demolition workers who, despite their assigned task, emerge as the surviving heroes. Danny Lyon’s documentation of doomed facades, empty interiors, work crews, and remaining dwellers still appeals to our emotions more than fifty years later, and Aperture’s reissue retains the power of the original.

Gelatin-Silver Print
Image Size: 9 3/4 x 11 inches
Paper Size: 11 x 14 inches
Edition of 20
Signed on verso

*Price to increase as the edition sells through*

Danny Lyon (b. 1942, Brooklyn, New York) received a BA from the University of Chicago in 1973. His 1971 portfolio Conversations with the Dead portrayed the lives of convicts in Texas prisons, and he has continued to focus photographing those who live outside society’s mainstream. His films include Little Boy (1977), Los Niños Abandonados (1975), and Social Sciences 127 (1969). Lyon’s work has been frequently exhibited and collected; he is the recipient of a John Simon Guggenheim Memorial Foundation Fellowship and National Endowment for the Arts grants in both film and photography.