Lyle Rexer: The Edge of Vision
The Rise of Abstraction in Photography
Text by Lyle Rexer.
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In the decades to follow, in particular from the 1950s through the 1980s, a multitude of photographers—Edward Weston, Aaron Siskind, Barbara Kasten, Ellen Carey and James Welling among them—took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists—most prominently Penelope Umbrico, Michael Flomen, and Adam Broomberg and Oliver Chanarin—reject classic definitions of photography's documentary dimension in favor of other conceptually inflected possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics, such as Alvin Langdon Coburn, László Moholy-Nagy, Gottfried Jägger, Silvio Wolf and Walead Beshty.
Format: Paperback / softback
Number of pages: 292
Publication date: 2013-09-30
Measurements: 8 x 9.9 x 0.9 inches
The only English-language book to chronicle the history of abstraction in photography. –The New Yorker
Though approaches to photographic abstraction are varied, the end results all deny the viewer a discernible reference to reality, defying the most conventional norm in photography. –The New Yorker
Lyle Rexer is a New York–based independent writer and critic. His previous books include Photography’s Antiquarian Avant-Garde (2002) and How to Look at Outsider Art (2005); he contributed an interview with Chuck Close and Bob Holman to A Couple of Ways of Doing Something (Aperture, 2006), and is the author of Edge of Vision (Aperture, 2010.)