- Micaiah Carter, Adeline in Barrettes, 2018, from The New Black Vanguard (Aperture, 2019) ©Micaiah Carter
- Campbell Addy, Untitled, London, 2016, from The New Black Vanguard (Aperture, 2019) © Campbell Addy
- Nadine Ijewere, Untitled, 2018, from The New Black Vanguard (Aperture, 2019) © Nadine Ijewere, for Garage magazine
Thursday, October 24, 6:00 – 7:00 p.m.
Thursday, October 24, 7:00 – 8:30 p.m.
For information regarding works available from the show please email [email protected]
The New Black Vanguard: Photography Between Art and Fashion
Curated by Antwaun Sargent
Photographs by Campbell Addy, Arielle Bobb-Willis, Micaiah Carter, Awol Erizku, Nadine Ijewere, Quil Lemons, Namsa Leuba, Renell Medrano, Tyler Mitchell, Jamal Nxedlana, Daniel Obasi, Ruth Ossai, Adrienne Raquel, Dana Scruggs, and Stephen Tayo.
The New Black Vanguard: Photography between Art and Fashion presents fifteen artists, whose vibrant portraits and conceptual images fuse the genres of art and fashion photography in ways that break down long-established boundaries. Their work has been widely consumed in traditional lifestyle magazines, ad campaigns, and museums, as well as on their individual social-media channels, reinfusing the contemporary visual vocabulary around beauty and the body with new vitality and substance. The images open up conversations around the roles of the black body and black lives as subject matter; collectively, they celebrate black creativity and the cross-pollination between art, fashion, and culture in constructing an image. Seeking to challenge the idea that blackness is homogenous, the works serve as a form of visual activism. It’s a perspective often seen from this loose movement of emerging talents, who are creating photography in vastly different contexts—New York and Johannesburg, Lagos and London. The results—often made in collaboration with black stylists and fashion designers—present new perspectives on the medium of photography and the notions of race and beauty, gender and power.
This exhibition includes selected works from groundbreaking contemporary photographers. The framed work sits alongside vitrines of publications, past and present, that contextualize these images and chart the history of inclusion, and exclusion, in the creation of the commercial black image, while simultaneously proposing a brilliantly reenvisioned future.
Also including photographs by:
Lawrence Agyei, Daveed Baptiste, Faith Couch, Yannis Davy Guibinga, Delphine Diallo, Rhea Dillon, Cary Fagan, Justin French, Erica Génécé, Denzel Golatt, Travis Gumbs, Texas Isaiah, Seye Isikalu, Adama Jalloh, Manny Jefferson, Joshua Kissi, Myles Loftin, Ronan Mckenzie, Tyra Mitchell, Travys Owen, Lucie Rox, Makeda Sandford, Cécile Smetana Baudier, Isaac West, Joshua Woods
Antwaun Sargent is an independent writer, curator, and critic, whose work has been published in the New Yorker, New York Times, W, Vogue, VICE, and various museum catalogues, among other publications.
This exhibition is presented in partnership with Airbnb Magazine.
Aperture Foundation’s public programs are supported, in part, by generous donations from our Board of Trustees, our members and other individuals, and from corporate foundations and private foundations including: Grace Jones Richardson Trust, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council.