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Martine Stig’s Sun-Drenched Amsterdam

In an unusual photobook, images move like the rhythm of free jazz.

Diane Dufour and Matthew Witkovsky, eds., Provoke: Between Protest and Performance, Photography in Japan 1960–1975, Steidl, Göttingen, Germany, 2016

Designer Spotlight: Sebastian Hau in conversation with Pierre Hourquet

How does the designer of the sold-out Provoke catalogue conceive of new photobooks?

The Book of Film

How do filmmakers such as Jean-Luc Godard and Sofia Coppola translate moving images to the printed page? By David Campany We have all heard photographs described as poetic, sculptural, painterly, literary, or cinematic. It is commonplace to look outside the medium when trying to account for it. But it will only get us so far. If a photo- graph is described as “painterly,” what might that mean? Caravaggio, Constable, or Kandinsky? If it is “cinematic,” does that suggest Kurosawa, Kubrick, or Cronenberg? Raised on a diet of Alfred Hitchcock and David Lynch movies, you might reasonably feel a Gregory Crewdson…

Joana Choumali, Spread from Hââbré, The Last Generation (Johannesburg: Fourthwall Books, 2016)  Courtesy the artist and Fourthwall Books

A Short History of the African Photobook

For Bronwyn Law-Viljoen, publisher of Fourthwall Books, the photobook is a space for political and social history.

Editor’s Note

by Daria Tuminas   A book with “cinematic flair”; “a quasicinematic, nonlinear narrative”; “raw, cinematic, stream-of-consciousness”—you hear these things about photobooks all the time. But what exactly is this cinematic aspect of these publications? And what is the relationship between cinema and the photobook at large? The historical interconnection goes back to the very beginning of both mediums. As Olivier Lugon points out in Between Still and Moving Images (2012), “already, before the advent of the Lumière cinematograph, paper had been the privileged medium for cinematic movement, from the plates of the phenakistoscope and the zoetrope, to cards for Mutoscope…

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The PhotoBook Review is a publication dedicated to the consideration of the photobook—focusing on the best photography books being published, from the coffee-table book to the handmade artist’s edition, and on creating a better understanding of the ecosystem of the photobook as a whole.

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