Aperture 145
Fall 1996
Availability: In stock
Aperture Magazine, issue #145, Fall 1996.
Ten Portfolios and Essays on Constantin Brancusi, Kiki Smith, Petah Coyne, Louise Lawler, Edvard Munch, Pablo Picasso, Sigmar Polke, Gerhard Richter, Richard Pousette-Dart, Chris Marker, and Wim Wenders.
Surface and Illusions presents ten portfolios of photographic work by artists we do not necessarily think of as photographers. Drawing primarily on the disciplines of painting, sculpture, and film, this issue seeks to explore the intersection of two-dimensional and three-dimensional representation--the link between the built and the imaged--as well as the ways in which time, memory, and narrative function between films and still photographs.
Picasso The Photographer: Beyond Appearances
by Anne Baldassari
Dark Mirror: The Photographs of Edvard Munch
by Charles Hagen
Studio Poses: Photographs by Constantin Brancusi and Kiki Smith
by David Frankel
Polkography
by Paul Schimmel
Louise Lawler: Souvenir Memories
by Rosalind Krauss
Gerhard Richter
Photographs and Notes
An Edge of Black
Photographs and Text by Petah Coyne
Richard Pousette-Dart
Photographs and Journal Entries
Chris Marker's Reality Bytes
by Jan-Christopher Horak
Once
Photographs and Stories by Wim Wenders
Peter Hay Halpert reviews John Deakin and Francis Bacon exhibitions in London
Nick Waplington reviews Fuck You Heroes by Glen E. Friedman
Mark Muro reviews the William Christenberry retrospective at the Center for Creative Photography in Tucson
"Helen Chadwick 1954–1996" by Mark Haworth-Booth
Ten Portfolios and Essays on Constantin Brancusi, Kiki Smith, Petah Coyne, Louise Lawler, Edvard Munch, Pablo Picasso, Sigmar Polke, Gerhard Richter, Richard Pousette-Dart, Chris Marker, and Wim Wenders.
Surface and Illusions presents ten portfolios of photographic work by artists we do not necessarily think of as photographers. Drawing primarily on the disciplines of painting, sculpture, and film, this issue seeks to explore the intersection of two-dimensional and three-dimensional representation--the link between the built and the imaged--as well as the ways in which time, memory, and narrative function between films and still photographs.
Picasso The Photographer: Beyond Appearances
by Anne Baldassari
Dark Mirror: The Photographs of Edvard Munch
by Charles Hagen
Studio Poses: Photographs by Constantin Brancusi and Kiki Smith
by David Frankel
Polkography
by Paul Schimmel
Louise Lawler: Souvenir Memories
by Rosalind Krauss
Gerhard Richter
Photographs and Notes
An Edge of Black
Photographs and Text by Petah Coyne
Richard Pousette-Dart
Photographs and Journal Entries
Chris Marker's Reality Bytes
by Jan-Christopher Horak
Once
Photographs and Stories by Wim Wenders
Peter Hay Halpert reviews John Deakin and Francis Bacon exhibitions in London
Nick Waplington reviews Fuck You Heroes by Glen E. Friedman
Mark Muro reviews the William Christenberry retrospective at the Center for Creative Photography in Tucson
"Helen Chadwick 1954–1996" by Mark Haworth-Booth
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