The prints included in this portfolio are:

The White Fence, Port Kent, New York, 1916
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 9 3/4 x 12 3/4 inches

Iris, Georgetown, Maine, 1928 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 9 1/2 x 7 1/2 inches

Truckman's House, New York, 1920 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 9 5/8 x 7 1/2 inches

Cobweb in Rain, Georgetown, Maine, 1927
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 9 1/2 x 7 1/2 inches

Mr. Bennett, Vermont, 1944 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 7 1/4 x 8 3/4 inches

Fox River, Gaspé, 1936 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 8 5/8 x 11 1/8 inches

Young Boy, Gondeville, Charente, France, 1951
Paper Size: 16 x 12.5 inches
Image Size: 11 x 8 3/4 inches

Oil Refinery, Tema, Ghana, 1963 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 9 1/4 x 7 1/2 inches

Blind Woman, New York, 1916 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 12 7/8 x 9 3/4 inches

Camargue, France, 1951 
Paper Size: 19 7/8 x 15 7/8 inches
Image Size: 8 3/8 x 10 3/4 inches

This portfolio contains ten gelatin-silver prints. The prints bear the authorized seal of the Paul Strand Foundation. The portfolio is sold in a cloth-covered clamshell case and is accompanied by a text written by Mark Haworth-Booth, Curator of Photographs at the Victoria and Albert Museum, London, and an afterword written and signed by Hazel Strand, wife of the late Paul Strand. 

Paul Strand (born in New York, 1890; died in Orgeval, France, 1976) was one of the great photographers of the twentieth century. As a youth, he studied under Lewis Hine at the Ethical Culture Fieldston School, going on to draw acclaim from such illustrious sources as Alfred Stieglitz and David Alfaro Siqueiros. After World War II, Strand traveled around the world—from New England to Ghana, France to the Outer Hebrides—to photograph, and in the process created a dynamic and significant body of work.