Here are the shortlisted artists and finalists for Aperture’s annual award, which aims to spotlight new talent in contemporary photography.
Dannielle Bowman hijacks the traditional language of black-and-white photography to inject new meaning into the search for home.
Photographing in Monterey Park, Jessica Chou evaluates how immigrant communities fit into today’s suburban landscape.
Daniel Jack Lyons explores environmental peril and Indigenous youth culture in the Amazon.
In haunting black-and-white photographs, Lindley Warren Mickunas investigates the complexities of the maternal bond.
Mixing archival images with contemporary snapshots, Gloria Oyarzabal examines the effects of colonialism and the follies of white feminism in West Africa.
From over 900 submissions, meet our five shortlisted artists.
Mark McKnight’s black-and-white images of bodies and landscapes challenge Eurocentric ideas about male beauty—and aim to make “straight” photography a little less straight.
In her lyrical, dreamlike images, Teresa Eng asks—what does modern China look like to a child of the Chinese diaspora?
In the age of fake news, Jack Latham investigates the secret society that has inspired conspiracy theories, protests, and attacks since its founding days in 1872.
Zora J Murff evaluates the fallout of prejudicial housing policies within the larger narrative of violence perpetrated against African Americans.
Reclaiming domestic space through installations in his parents’ home, Guanyu Xu explores queer identity and censorship across China and the US.
Read a statement by Katie Booth, Digital manager of Aperture Magazine
Read a statement by Lesly A. Martin, Creative Director of Aperture
Read a statement by Amelia Lang, Executive Managing Editor.
Read a statement by Cassidy Paul, Digital Editor
Read a statement by Michael Famighetti, Editor of Aperture Magazine
Presenting the five finalists for the 2018 Aperture Portfolio Prize, an international photography competition.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.