Editorial

Years after retiring from an illustrious career as a stylist, Simon Foxton was lured back into image-making by fresh new faces. The only catch is, they don’t exist.

Emanuele Satolli speaks about documenting conflict zones in Ukraine and the Middle East—and why it’s essential to see difficult images in a photobook.

The twentieth FotoFest Biennial charts a sprawling history of global photography.

Winner of the 2026 Aperture Portfolio Prize, the photographer twists familiar clichés into an exploration of what it means to feel estranged from one’s homeland.

In the wake of her father’s death, Olivia Crumm explores how loss bends everyday reality into something strange and new.