James Mollison’s exhibition, Playground, influenced by his own experiences being bullied in the schoolyard, gives us an international look at children at play. These photographs are from rich and poor schools with vastly different resource levels in countries including Bhutan, Bolivia, India, Israel, Italy, Japan, Jordan, Kenya, Nepal, Norway, Sierra Leone, the United Kingdom, and the…

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Doug DuBois approaches his work slowly, engaging in long-term photographic projects and telling stories. Some are specific, but like all good stories, they resonate with viewers in a myriad of personal and intimate ways. The Hermès Foundation and Aperture Foundation are pleased to present the exhibition In Good Time, the first mid-career survey of DuBois’ photographs,…

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Photographs by Robert Frank, Ed Ruscha, Inge Morath, Garry Winogrand, Joel Meyerowitz, William Eggleston, Lee Friedlander, Jacob Holdt, Stephen Shore, Bernard Plossu, Victor Burgin, Joel Sternfeld, Alec Soth, Todd Hido, Ryan McGinley, Justine Kurland, and Taiyo Onorato and Nico Krebs Description: “What should happen at the end of a road trip? A return to the…

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La Calle brings together nearly thirty years of photography by Alex Webb, created from 1978 to 2007 in Mexico City and the surrounding states, villages, and cities. Webb frequently credits the landscapes and cityscapes of Mexico for prompting his shift to color photography. He worked intensely on the U.S.–Mexico border and in the densely populated capital…

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Photographs by Robert Frank, Ed Ruscha, Inge Morath, Garry Winogrand, Joel Meyerowitz, William Eggleston, Lee Friedlander, Jacob Holdt, Stephen Shore, Bernard Plossu, Victor Burgin, Joel Sternfeld, Alec Soth, Todd Hido, Ryan McGinley, Justine Kurland, and Taiyo Onorato and Nico Krebs Description: “What should happen at the end of a road trip? A return to the…

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In 1983, Mary Ellen Mark began a project called Streetwise. Five years later, it became a poignant document of a fiercely independent group of homeless and troubled youth who made their way on the streets of Seattle as pimps, prostitutes, panhandlers, and small-time drug dealers. Streetwise introduced several unforgettable children, including Tiny (her street name; her given name…

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Initiated in November 2012 by Aperture Foundation and Paris Photo, the Paris Photo–Aperture Foundation PhotoBook Awards celebrate the photobook’s contribution to the evolving narrative of photography, with prizes in three categories. The initial short-list selection was made by Ann-Christin Bertrand, curator at C/O Berlin; David Campany, author, photographer, and curator; Lesley A. Martin, creative director…

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Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format 8-by-10-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States.…

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Mickalene Thomas, known for her large-scale, multi-textured, and rhinestone-encrusted paintings of domestic interiors and portraits, has also identified the photographic image as a defining touchstone for her practice. Thomas first began to photograph herself and her mother as a student at Yale—a pivotal experience for her as an artist. While working across multiple series, much…

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In 1983, Mary Ellen Mark began a project called Streetwise. Five years later, it became a poignant document of a fiercely independent group of homeless and troubled youth who made their way on the streets of Seattle as pimps, prostitutes, panhandlers, and small-time drug dealers. Streetwise introduced several unforgettable children, including Tiny (her street name; her given name…

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La Calle brings together nearly thirty years of photography by Alex Webb, created from 1978 to 2007 in Mexico City and the surrounding states, villages, and cities. Webb frequently credits the landscapes and cityscapes of Mexico for prompting his shift to color photography. He worked intensely on the U.S.–Mexico border and in the densely populated capital…

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Aperture’s 2016 Summer Open was a call for contributions to the idea of photography as a magical form. This optimistic premise attracted a diverse scope of magical contemporary approaches—from pictures found in the happenstance of everyday life to elaborate stagings of studio or desktop experiments. The photographic practices represented in the final selection for this…

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This exhibition features photographs and photobooks made by students of Aperture’s 2016/17 visual literacy program, Aperture On Sight. Over the course of twenty classes, these students strengthened their visual literacy skills by learning how to analyze and interpret images—a cognitive ability that is decidedly valuable in today’s wired world. Aperture’s curriculum expands students’ visual literacy…

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Olivia Bee discovered a love for photography as a teenager, using it as a diary and as a way of both experimenting with creative ideas and sharing moments of her life, new loves, friends, and school. Her work was discovered online by Converse, who invited her to shoot for an ad campaign. She was fifteen…

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In 1983 Mary Ellen Mark began photographing a group of fiercely independent homeless and troubled youth who were making their way on the streets of Seattle as pimps, prostitutes, panhandlers, and smalltime drug dealers. Initially published in July of that same year in Life magazine, this work culminated in the 1988 publication Streetwise, and the…

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Doug DuBois approaches his work slowly and engages in long-term photographic projects. He tells stories that reveal both a profound humanity and the inexorable passing of time. The Hermès Foundation and Aperture Foundation are pleased to present the exhibition In Good Time, the first mid-career survey of DuBois’ photographs, curated by Cory Jacobs. This retrospective contains three different bodies of work: All the…

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Mickalene Thomas, known for her large-scale, multi-textured, and rhinestone-encrusted paintings of domestic interiors and portraits, has also identified the photographic image as a defining touchstone for her practice. Thomas first began to photograph herself and her mother as a student at Yale—a pivotal experience for her as an artist. While working across multiple series, much…

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Hiroji Kubota Photographer is a retrospective exhibition composed of two parts: platinum prints of black-and-white photographs made from 1963 to 1989, featured at Aperture Gallery until January 14th, 2016; and dye-transfer prints made from 1978 to 2003, featured on the ground floor of Aperture Gallery’s building at Sundaram Tagore Gallery until January 5th, 2016. This exhibition…

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