In his project “A Reprise,” the photographer remixes Walker Evans’s images of African sculptures—and poses bold questions about what we consider fake or original, art or archive.
The LA-based photographer speaks about Walker Evans, Black aesthetics, and how a frightening encounter with the police informed his thinking about art.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.