In an interview, McCullin speaks about navigating the battlefield, his fascination with ancient Rome, and how he finds drama in the landscapes of England.
From the Troubles in Northern Ireland to the wars in Southeast Asia, McCullin’s images defined the conflicts of the twentieth century.
A new exhibition at Tate Modern, London, presents photographs of war arranged by how soon after the event the photograph was made.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.