Constructing sets that look functional but are intentionally useless, an artist parodies the seamless illusion of images.
A new exhibition at the Metropolitan Museum of Art in New York surveys the history of staged photographs from the first 170 years of the medium.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.