ApertureDigital, Author at Aperture | Page 10 of 47

The images in Adam Broomberg and Oliver Chanarin’s Spirit is a Bone were made using advanced facial recognition software, which gathers data from four separate lenses and builds a model of the face according to the configuration of the skull—the spaces, unique to each face, between eyes, nose, and mouth. The resulting three-dimensional images, all…

In the 1960s, East German border troops photographed the entire length of the Berlin Wall. Fifty years later, a new book brings a secret archive to light.

The Belgian artist Marcel Broodthaers has long suffered from a bifurcated reception: while his work has been shunned by many, due in part to his reputation as a hermitic figure or a stylistic outlier, it has been championed by others, who see it as a pivotal threshold in the development of critical post-conceptual art. Mindful…

Exploring the rituals and communities of African descendants in Cuba, a photographer reveals their solidarity and resistance to oppression.

Sarah Lewis, Carrie Mae Weems, Chelsea Clinton, and other special guests present Aperture magazine’s landmark summer issue.

An exhibition in Philadelphia explores African cities through street photography and portraiture.

The curator of the London gallery Autograph ABP discusses the intersections between photography, human rights, and identity politics.

Kristen Lubben reflects on a collection of glamour shots, stills from movie sets, photobooth portraits, family snapshots, and typewritten captions which make up a fictional archive.

Sixteen boundary-pushing photographers included in the 2016 Aperture Summer Open curated by Charlotte Cotton weigh in on their practice.

In a retrospective at LE BAL in Paris, Gerard Petrus Fieret’s subversive images reveal the libertine atmosphere of 1960s Europe.

In what ways is the photobook a useful framing device for archival projects?

Photographer Macro Breuer reflects on the lasting images in Evidence for The PhotoBook Review 010

From dream states to Russian decadence, here are this summer’s must-see photography exhibitions in New York.

Vince Aletti recalls Tomorrow’s Man, Peter Hujar, James Dean, and the thrill of discovering queer pictures.

In a pioneering new book, Zackary Drucker and Rhys Ernst document their gender transitions and their lives together.

Following the attack on the Pulse club, artists and writers consider the nightclub as a symbolic space in queer culture.

One year after the church shooting in Charleston, South Carolina, a photographer speaks about her powerful portraits of the victims’ families.

Magnum’s Square Sale, online now through June 10th, is an opportunity to collect decisive moments from Magnum photographers.