The photographer Adraint Bereal captures the agony and ecstasy of what it is to be a Black college student in the United States.
In the 1980s, the photographer took a two-thousand-mile road trip through the American South, making portraits that glow with beauty and trust.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.