Evan Moffitt

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Elaine Constantine, Steve in his kitchen, 1993–96

Picturing Britain’s Working Class after the “End of History”

An exhibition in England asks how a generation of blue-collar British photographers have responded to the rising tide of neoliberalism.

Wolfgang Tillmans’s Democratic Vision of Photography

For Tillmans, whose work is the subject of a major new retrospective, art prompts us to reflect on political and social realities while also making us feel safe and loved.
David Wojnarowicz of ACT UP demonstrates outside the offices of the New York City Commissioner of Health, 1988

The Artists Who Tried to Warn Us about AIDS

At David Zwirner, a series of exhibitions looks back at iconic works by gay artists. But forty years after it was first reported, AIDS is not yet history.

Heji Shin’s Penetrating Gaze

The provocative photographer trains her eye on childbirth, gay sex, and Kanye West.

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Aperture No. 257

Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.

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