By restaging scenes of state violence in the city, Vani Bhushan blurs the distinction between history and memory.
In his contemporary iteration of the Ramayana, Vasantha Yogananthan’s photographs consider memory, history, and the poetics of daily life.
Traveling the US from West to East, Miraj Patel inserts himself into landscapes charged with history and symbolism.
Aditi Jain, Uzma Mohsin, and Prarthna Singh speak about the vital role of art as a form of witness and protest.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.