Jo Ractliffe’s expansive new photobook demonstrates how words and pictures bring historical memory into sharp relief.
Anouchka Renaud-Eck’s vibrant photographs consider the traditions of Indian matchmaking through the lens of contemporary youth culture.
The collage artist Alanna Fields draws on vintage photographs, reframing her subjects with wax and glitter—and an eye for subversive gesture.
Dean Majd’s images of skaters and artists portray the joys and trials of young New Yorkers.
In tentatively optimistic images of strangers, loved ones, and golden-hued landscapes, Widline Cadet memorializes everyday moments of beauty.
At the beach, at a party, or at home, the photographer imagines a world of queer intimacy and community.
In a biennial and two recent photobooks, artists consider the postcolonial African subject through intriguingly intimate images.
Mixing archival images with contemporary snapshots, Gloria Oyarzabal examines the effects of colonialism and the follies of white feminism in West Africa.
Years after the South African photographer’s sister mysteriously disappeared, his images become a public record of a private myth.
The spring 2024 issue, “Counter Histories,” is produced in collaboration with Magnum Foundation and features photographers from around the world who reframe complex histories.