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What the editors and staff at Aperture Foundation have been reading lately.
Doug DuBois and Irish Illustrator Patrick Lynch talk about their collaboration and the resulting comic in My Last Day at Seventeen
Ruben Lundgren of WassinkLundgren, cocurator of “The Chinese Photobook”, talks about the exhibit.
Sama Alshaibi talks about her newest photobook, “Sand Rushes In” where she explores the landscape of conflict in North Africa and West Asia.
The Armory Show kicks off this week at Piers 92 and 94 in Manhattan. Here are Aperture’s 11 highlight of standout photography.
Six exhibitions to see around New York City in March.
Bloomsbury London is organizing a sale of almost 700 unseen, vintage photographs made by NASA’s top astronauts.
A closer look at photographs in a new exhibition of Adam Ekberg’s work by writer Gabriel H. Sanchez.
An exhibition at De Soto Gallery in Los Angeles features portraits of young dancers and boxers.
A new installation of photograms and digital prints by Liz Deschenes occupies a floor of the Walker Art Center.
Musician Joe Purdy fills us in on his recent trip with Alec Soth, Billy Bragg, and Isaac Gale, and where they’re headed next.
A new exhibition at the MFA, Boston, sheds light on a forgotten photo essay by Gordon Parks from 1950.
The late, influential California photographer Larry Sultan has his first retrospective, “Here and Home,” at LACMA.
Contemporary fiction writers speak on the role of photography and the image in their writing process.
Duane Michals’s innovative portraits and narrative photography get a presentation at the Carnegie Museum of Art.
Robin Schwartz and her daughter Amelia discuss Amelia and the Animals.
Kathy Ryan on her book Office Romance, a collection of her Instagram photos taken at her office in the New York Times building.
A new exhibition at Maureen Paley in London features new work by Morgan Fisher.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.