Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
A review of Candida Höfer’s recent show at Sean Kelly Gallery, New York.
Tate Britain’s first-ever exhibition to focus on a living photographer features the work of Nick Waplington
Two exhibitions highlight collections of art and oddities belonging to some of today’s most prominent photographers.
In How We See, Laurie Simmons revisits familiar territory, posing models in staged scenes emulating doll-like figures.
Janet Delaney: South of Market gives a glimpse of a bygone San Francisco, before Silicon Valley and soaring rents defined the city
A review of Thomas Demand’s multiple exhibitions now on view in Los Angeles.
A new exhibition at Tate Modern, London, presents photographs of war arranged by how soon after the event the photograph was made.
Alix Cléo Roubaud is virtually unknown, but an exhibition in Paris sheds light on her ethereal photographs.
A new exhibition at Hasted Kraeutler in New York features the portrait photography of Martin Schoeller.
A review of “Constructing Worlds” at Barbican Art Gallery.
Aperture Editor Michael Famighetti on work featured during the 2014 FotoFocus Biennial.
Noemi Smolik reviews Thomas Ruff’s new show at the Kunsthalle Dusseldorf.
A new exhibition at Gagosian Gallery features hundreds of works that explore Picasso’s relationship to the camera.
A new exhibition at New York’s Team Gallery, titled “ghost outfit,” considers the work of Ralph Eugene Meatyard.
Ellie Armon Azoulay on the Henri Cartier-Bresson retrospective at the Centre Pompidou.
Jacob King considers Chinese artist Ai WeiWei’s Brooklyn Museum show and his photographic practice, ranging from his work in the ’80s to his current Instagram presence.
Diana C. Stoll on Remote Sites of War at Western Carolina University’s Fine Art Museum.
Roberto Saviano reviews the Capa in Color exhibition at the International Center of Photography.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.