Schuyler Duffy reviews Terry Evans’s exhibition The Inhabited Prairie, now on view in New York.
Sarah James reviews a survey of Karl Blossfeldt’s photographs at the Whitechapel Gallery, London.
Tampering with photographs is common practice for artists today; this exhibition demonstrated that the strategy is even more relevant for Middle Eastern photographers.
Willie Doherty’s latest body of work focuses on the sense of alienation to be found in Zurich’s peripheral spaces. Martin Jaeggi assesses the photographs and video.
Prajna Desai reviews A Village in Bengal, an exhibition of Chirodeep Chaudhuri’s photographs at Project 88, Mumbai.
Critic Noemi Smolik reviews the recent exhibition Dear Aby Warburg, What Can Be Done with Images?
Isabel Stevens reviews Dayanita Singh: File Museum, an exhibition of a new work at Frith Street Gallery, London.
Isabel Stevens reviews Everything Was Moving: Photography from the 60s and 70s at the Barbican Art Gallery, London.
Fourteen shows consider how the camera, rather than just being an instrument of mediation, might sometimes take hold of reality instead.
Independent curator Daniel M. Leers reports on the First National Bank Johannesburg Art Fair.
Vicki Goldberg reviews two exhibitions at the Addison Gallery in Andover, Massachusetts.
Aperture’s publisher of books recommends a New York gallery stop, an exceptional DIY title, and one book she’s currently reading.
An essential look at the vital photography scene of South Korea’s capital.
Dear Aby Warburg, What Can Be Done with Images?
Critic Noemi Smolik reviews the recent exhibition Dear Aby Warburg, What Can Be Done with Images?