A recent exhibition at the the Pompidou Center reflects on how artists sought to produce new forms of culture amid the tumult of 1920s Germany.
Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.