From her suburban Cape Town studio, Jo Ractliffe reflects on a career spent documenting the aftermath of violence.
Since the mid-1970s, Plumb has documented life in the US in a way that anticipates today’s social strife and environmental emergency.
Building large-scale camera obscuras, Chiara makes wistful photographs that recall the medium’s origins—and our own.
Lucia Moholy’s photographs helped define the visual identity of the Bauhaus. Why was she left out of its history?
Aspen Mays makes photographs without a camera and in total darkness, conjuring images both intimate and otherworldly.
Mark Steinmetz and Irina Rozovsky discuss the mysteries of the darkroom and the gifts of close looking.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.