At home in suburban Detroit, the Chinese American photographer invokes the unstable fantasias of personal memory.
A daguerreotype of a woman from the 1850s speaks to contested ideas of place, identity, and belonging—and offers urgent lessons for today.
The Memphis-born photographer navigates performative intimacy, the legacy of the Mississippi Delta Chinese, and the pitfalls of visual language for queer Asian men.
Three young photographers discuss the histories, struggles, and complexities of making photographs in America today.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.