Santiago Escobar-Jaramillo’s photographs reflect the ambiguities of political violence in Colombia, Cuba, and Venezuela.
On the occasion of the forthcoming paperback edition, Lyle Rexer discusses The Edge of Vision four years later.
Excerpt from an event held at Aperture Gallery on March 18, 2013.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.