Mahtab Hussain’s tender portraits question the image of South Asian Muslim men in Britain.
Amid the overwhelming barrage of news and ideas online, can an image change anything?
In Eritrea, a young photographer pursues a cinematic vision.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.