For years, Joan E. Biren crisscrossed the U.S. with a slide show that told an alternative history of photography with lesbians as central protagonists.
A recent forum at MoMA reveals a rich, often-overlooked thread of queer history and photography.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.