Constructing sets that look functional but are intentionally useless, an artist parodies the seamless illusion of images.
The Met has mounted its first-ever exhibition of West African photographs. But is the museum late to the party?
An essay on Malian photographer Adama Kouyaté, via Creative Time Reports.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.