During the 1971 Paris Biennale, Nakahira photographed, printed, and exhibited his daily images of the city—creating a landmark photo-installation that pushed the bounds of a “living” work.
In the first of an ongoing series of interviews about Japanese photography with Tsuyoshi Ito, Curator Simon Baker discusses the radical new vision of the 1960s.
What role have images played in our collective memory of protest?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.