Aperture Magazine
#219, Summer 2015

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Table of Contents

Front

Editor’s Note

Collectors: The Sculptors
Contributions by Frank Benson, Carol Bove, Rachel Harrison, B. Wurtz

On Portraits
by Geoff Dyer

Curriculum
by LaToya Ruby Frazier

Redux
David Campany on Bern Porter’s Dieresis

Words

Picture Tokyo
by Noi Sawaragi and Hideo Furukawa

Magazine Work
by Ivan Vartanian

Camera Play
by Yasufumi Nakamori

Takuma Nakahira: At the Limits of the Gaze
by Franz Prichard

Pictures

Nakahira’s Circulation
by Matthew S. Witkovsky

Nobuyoshi Araki: Kekkai

Takashi Homma: Tokyo Obscura

Cozue Takagi: Biwajima

Daisuke Yokota
Introduction by Dan Abbe

Issei Suda
Introduction by Niwa Harumi

Mayumi Hosokura: Transparency Is the New Mystery

Rinko Kawauchi
Introduction by Lesley A. Martin

Naoya Hatakeyama: Yamate-Dori
Introduction by Andrew Maerkle

Kikuji Kawada
In conversation with Ryuichi Kaneko

Back

Object Lessons
The Obi

Back Issues

Aperture 227

Aperture 227

Aperture takes an in-depth look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty-five years—the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography. “Platform Africa” presents a new generation of artists who have connected through such platforms as the Bamako Biennale in Mali and Addis Foto Fest in Ethiopia, and is produced in collaboration with guest editors Bisi Silva, founder and artistic director of the Centre for Contemporary Art in Lagos, Nigeria; John Fleetwood, former head of Johannesburg’s Market Photo Workshop and current director of Photo, a new African initiative; and Aïcha Diallo, associate editor of Contemporary And.
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Aperture 228

Aperture 228

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Aperture 229

Aperture 229

The Winter edition of Aperture magazine is a landmark issue dedicated to the representation of transgender lives, communities, and histories in photography. Guest edited by Zackary Drucker, the artist, activist, and producer of the acclaimed television series Transparent, “Future Gender” considers how trans and gender-nonconforming individuals have used photography to imagine new expressions of social and personal identity, from the nineteenth century to today.
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Aperture 230

Aperture 230

Most prisons and jails across the United States do not allow prisoners to have access to cameras. At a moment when 2.2 million people are incarcerated in the US, 3.8 million people are on probation, and 870,000 former prisoners are on parole, how can images tell the story of mass incarceration when the imprisoned don’t have control over their own representation? Organized with the scholar Nicole R. Fleetwood, this issue of Aperture magazine addresses the unique role photography plays in creating a visual record of a national crisis.
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