In Turkey, Serbest Salih runs a mobile darkroom where kids—often refugees affected by war—learn the basics of developing their black-and-white photos.
Aikaterini Gegisian’s new artist book—made from appropriated images—centers physical pleasure as a form of resistance to capitalism.
From the gold rush to e-waste, Lisa Barnard’s new photobook offers a visual biography of a precious commodity.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.