Sandrine Colard and Laurence Butet-Roch examine the history of how African women have been pictured, and in turn, how they look back at the viewer.
Two artists delve into a national archive, revealing a counter-history of colonialism, trauma, and erasure.
Should an American publication have tried to “rescue” a boy from poverty?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.