In her Chinatown loft, Kunié Sugiura presses conventional boundaries of photography and painting.
These previously unpublished selections of 35mm slides confirm and extend the stubborn singularity of Leiter’s color language.
At the American Folk Art Museum, an engrossing exhibition considers how the camera gave outsider artists a new means of expression.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.