David Alekhuogie: A Reprise

In A Reprise, David Alekhuogie remixes Walker Evans’s photographs of African art, provoking timely questions about authorship and authenticity.  A Reprise, David Alekhuogie’s first monograph, confronts the intriguing legacy of narrative and authorship behind Western presentations of African art, and poses timely questions about how Black aesthetics are circulated, accessed, valued, and interpreted today. In 1935, Walker Evans was commissioned by the Museum of Modern Art, New York, to photograph hundreds of African sculptures for the exhibition African Negro Art. Nearly ninety years later, Alekhuogie began investigating Evans’s images, provocatively remixing them into his own vibrant and multilayered photographic collages. Transposing facsimiles of Evans’s original images onto cardboard or paper structures of his own making, Alekhuogie rephotographs these image-sculptures against striking backdrops—often using East and West African textiles—thereby inviting multiple dimensions of viewership. Alekhuogie’s images draw upon the musical idiom of the reprise—a performance of repetition—and stake a claim to crucial, restorative ideas around Black antiquity by questioning our relationship to what we consider fake or original, art or archive.

Format: Hardback
Number of pages: 156
Number of images: 110
Publication date: 2025-07-29
Measurements: 8.58 x 11.1 x 1.75 inches
ISBN: 9781597115742

David Alekhuogie (born in Los Angeles, 1986) is a documentary photographer. He received his MFA from Yale University and BFA from the School of the Art Institute of Chicago. His work was included in Companion Pieces, the 2020 iteration of the Museum of Modern Art’s biennial New Photography series, and was presented in Men of Change: Power. Triumph. Truth. at the California African American Museum in Los Angeles. In 2019, he was the recipient of the Rema Hort Mann Foundation’s Emerging Artist Grant. Alekhuogie has had solo exhibitions at Los Angeles Municipal Art Gallery; Commonwealth and Council, Los Angeles; Skibum MacArthur, Los Angeles; and the Chicago Artist Coalition, and has participated in group shows at the Museum of Modern Art, New York; High Museum of Art, Atlanta; Fraenkel Gallery, San Francisco; and Regen Projects, Los Angeles. His work has been published in Aperture, Foam, the New Yorker, the New York Times, Time magazine, Vice, and the Los Angeles Times. He is based in Los Angeles.
Wills Glasspiegel is a filmmaker, artist, and organizer from Chicago. He works with the Era Footwork Crew and codirects the nonprofit Open the Circle. He has directed a range of short films, including Footnotes (2021), Icy Lake (2014), Meet the Era (2016), and Bangin’ on King Drive (2015). He holds a PhD in American studies and African American studies from Yale University.
Wendy A. Grossman is a curatorial associate at the Phillips Collection and faculty member of the New York University’s Global Program in Washington, DC. She is a photo-historian and author of numerous publications, including the award-winning catalog for the exhibition Man Ray, African Art, and the Modernist Lens.

Zoë Hopkins is a writer and critic based in New York. She received her BA in art history and African American studies from Harvard University and is currently working on her MA in modern and contemporary art at Columbia University. Her writing has been published in Artforum, the Brooklyn Rail, Cultured, and Hyperallergic.