Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
Melissa Harris in conversation with renowned painter Jasper Johns.
Adam O’Reilly sits down with Pierre Le Hors to discuss his residency and exhibit at the Camera Club of New York, March 19-April 12, 2014.
Aperture spoke with Miranda Lichtenstein about her upcoming exhibit of Polaroids on view at the Gallery at Hermès.
Christopher Schreck speaks with Sara Cwynar about her recent exhibit Falt Death at Rosenwald-Wolf Gallery.
Matthew Pillsbury discusses City Stages during an artist talk at Aperture Gallery.
Arthur Ou speaks with Eva Respini, curator of Robert Heinecken: Object Matter, about this restless artist’s pioneering work.
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Jason Quincy Bailey speaks with leading motion graphics designer Jakob Trollbäck about his journey in design, and the role of photography in his work.
Paula Kupfer speaks with photographer Paolo Woods about his new work from Haiti, currently on view at the Musée de l’Elysée in Lausanne, Switzerland.
Sabine Mirlesse interviews Lorna Simpson on the occasion of the artist’s survey exhibition at Jeu de Paume, Paris.
Andrea Hill interviews Karol Hordziej about Krakow Photomonth 2013 and the future of photography festivals.
Photographer Anne Hardy speaks about her new exhibition of photographs and sculptures at Maureen Paley, London.
In this interview, photojournalist Michael Kamber discusses his new book Photojournalists on War: The Untold Stories from Iraq.
“I wanted to discover, through the use of images and objects, a way to translate my original experience of these European sites.”
These Cold War objects exerted major influence on the culture of their day. It’s not just coincidence that they happen to look like art.
You may have to develop your own technology for your images. I’m not much interested in “straight” photography anymore.
The moment when still cameras began to include decent video options not only democratized filmmaking, but also marks the history of still images.
Bill Armstrong discusses his work Mandala #450 within the context his Infinity series of abstract, blurred images.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.