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Here, in an excerpt from the book, Aperture Foundation’s executive director Chris Boot speaks with Kubota about his beginnings as a photographer.
San Francisco’s Pier 24 Photography recently opened Paul Graham’s exhibition The Whiteness of the Whale, the venue’s first-ever presentation of a single artist.
The following conversation between Aperture Foundation editor-in-chief, Melissa Harris, and Richard Misrach was recorded at his California studio in March 1992.
Davidson won acclaim for his images of Brooklyn gangs and the civil rights movement. Here, he speaks about about walking the streets of Paris with Cartier-Bresson—and of the constant photographic challenge of getting past the obvious.
Curators Sarah Meister, who focused on Horacio Coppola, and Roxana Marcoci, who researched Grete Stern, offer comments and insights into key works in the exhibition.
Berlin-based artist Kathrin Sonntag was commissioned to create one of twelve new photography-based projects for RAY 2015.
To what degree is photography dependent on chance? Robin Kelsey tackles this question in his new book, Photography and the Art of Chance.
From Aperture Magazine #147: David Wojnarowicz and Nan Goldin sat down to talk about record, memory, and the evolution of their work.
A conversation with the Johannesburg-based photographer about photography and activism, her latest series, Black Beauties, and her influences.
Lucas Foglia on photographing the transformation of the American west.
This month Aperture launched a Kickstarter campaign to ensure the publication of My Last Day at Seventeen by Doug DuBois.
For the first-ever Spring Party, Aperture teams up with Penelope Umbrico to offer prints from her Moving Mountains series.
Aperture spoke to the Philadelphia Museum of Art about the work of Paul Strand, the subject of retrospective traveling to the Fotomuseum Winterthur on March 7.
At the Brooklyn Brewery, a group of photographers and reporters explored why they report on war.
An interview with the Jack Kerouac of photography in France, Bernard Plossu.
A conversation with Paul Martineau, curator of Minor White: Manifestations of the Spirit at the J. Paul Getty Center, Los Angeles
Rob Hornstra of ‘The Sochi Project’ shares insight on storytelling during his weekend workshop at Aperture.
Aperture speaks with photographer Olivia Bee about her imaginative, dreamlike work.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.