Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
Curator Sandra Phillips previews SFMOMA’s Pritzker Center, the largest space for photography in an American museum.
A leading photography educator shares essential advice for working artists.
Is the trade in precious fossils the next frontier of Moroccan tourism—or just a ruse?
The curator of Aperture’s Summer Open speaks about the relationship between photography and magic.
Ahead of his commission for Aperture, the French photographer previews a new project exploring the mythologies of real estate.
In France and West Africa, an Ivorian photographer chronicles the ruins of modernist architecture and national memorials.
A Swiss-Guinean artist takes photography to the farthest reaches of glamour.
As a preview of the upcoming Summer issue, two groundbreaking filmmakers speak about diversity and inclusion in Hollywood–now a national conversation.
As a preview of the upcoming Summer issue, Sarah Lewis and Dagmawi Woubshet speak with a visionary filmmaker who explores African and African American narratives.
In the Spring 2016 issue of Aperture, Simon speaks with Kate Fowle about her ongoing project Black Square.
A young photographer reports on the odyssey of our time.
A Greek photographer’s account of religious communities in Athens reveals a new vision of multicultural Europe.
Francine Prose speaks with Fox Solomon about the themes animating her career in photography: ritual, religion, gender, and travel.
An award-winning exhibition catalogue examines the power of photography in representing crime, war, and acts of violence.
In an exhibition inspired by Man Ray’s “Dust Breeding,” David Campany charts the strange career of a surrealist photograph.
Curator Yasufumi Nakamori discusses his game-changing show of Japanese photography with Aperture magazine editor Michael Famighetti.
David Shields’s War Is Beautiful critiques sixty-four photographs of war that ran on the front page of the Times between 1997 and 2013.
Here, in an excerpt from the book, Aperture Foundation’s executive director Chris Boot speaks with Kubota about his beginnings as a photographer.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.