Mira Jacob reviews Max Pinckers’s self-published photobook, “Will They Sing Like Raindrops or Leave Me Thirsty”
Jason Fulford and Aperture editor Denise Wolff discussed the parallel lives of a book through its events, and the event as intersection of artist and viewer.
Ivan Vartanian spoke to Ryuichi Kaneko about how he became one of the first and most enduring champions of the Japanese photobook.
In 1995, I began an editorial internship at Aperture. (Just one week before, Lesley Martin had started…
The PhotoBook Review 008 coincides with the Summer 2015 issue of Aperture magazine, “Tokyo” (#219), as well…
My interest and inquiry into photobooks truly began only five or so years ago. Martin Parr, Gerry…
Illustration by Simone Rein. Horacio Fernández can claim to have been one of the first key creators of…
Illustration by Simone Rein. As a collector, enthusiast, and supporter of photo- and artist books, I want…
From the beginning, Offprint Paris—a yearly art-publishing fair featuring books, CDs, records, magazines, zines, and posters by…
Luis Weinstein Esto ha sido Self-published Santiago, Chile, 2014 Designed by Carolina Zañartu 9 x 11 7⁄8…
Lesley A. Martin touches base with Alec Soth for issue 007 of The PhotoBook Review.
On August 19, 2014, the PhotoBook Museum, Cologne, opened the doors to its temporary Carlswerk space, a…
This book was short-listed for a 2014 Paris Photo–Aperture Foundation PhotoBook Award. Peter van Agtmael Disco Night…
This book was short-listed for a 2014 Paris Photo–Aperture Foundation PhotoBook Award. Mikhael Subotzky and Patrick Waterhouse…
This book was the winner of the First PhotoBook Award in the 2014 Paris Photo–Aperture Foundation PhotoBook…
La Kursala, an exhibition room dedicated to emerging Spanish photographers and patron for independent publishing under…
Why “photobooks” now? Author David Campany examines the term for issue 007 of The PhotoBook Review.
A video highlighting the books featured in the 2014 PhotoBook Awards Short List.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.