The twentieth anniversary edition of artist An-My Lê’s acclaimed first book, Small Wars, examines the legacies of US military power, and explores issues surrounding landscape, memory, and the representation of violence and war.
For the June 2025 Aperture PhotoBook Club gathering, Aperture’s executive director, Sarah Meister, joined Lê alongside longtime peer and friend Stephen Shore to discuss Small Wars, the arc of an artist’s career and the ongoing relevance of this work.
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This conversation originally took place on June 9, 2025. Support for the 2025 Aperture PhotoBook Club is generously provided by FotoFocus.
An-My Lê (born in Saigon, Vietnam, 1960) is a Vietnamese American photographer, filmmaker, author, and the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College. Lê came to the United States as a political refugee at age fifteen. She received a grant to return to her homeland just after US-Vietnamese relations were formally restored, and traveled there several times between 1994 and 1997. She is the recipient of numerous awards, including fellowships from the New York Foundation for the Arts, John Simon Guggenheim Memorial Foundation, and MacArthur Foundation, and her work has been exhibited nationally and internationally. Most recently a major retrospective of her work was organized by the Museum of Modern Art, New York. She is based in New York.
Sarah Meister is executive director of Aperture. She joined Aperture in May 2021, following more than twenty-five years at the Museum of Modern Art, New York. She is the founder and host of the Aperture PhotoBook Club.
At age fourteen, Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York. At seventeen, Shore was a regular at Andy Warhol’s Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-three, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; George Eastman House, Rochester; Kunsthalle Düsseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. He has received two NEA grants and a Guggenheim Foundation grant. Since 1982 he has been director of the photography program at Bard College, Annandale-on-Hudson, New York, where he is the Susan Weber Professor in the Arts.










